Showing posts with label Backstage. Show all posts
Showing posts with label Backstage. Show all posts

Saturday, November 12, 2011

Enough Said


It was the Mama’s and Papa’s song ‘I Saw Here Again’ that I turned my partner onto because I love it so. It’s their harmony, the momentum built in by the strings and the sheer power of the vocal line reminiscent of a Bach chorale that I love. It flows with so much energy that there is no way not to be affected by it. Enough said. There is a space in the timing toward the end where there is a hesitation, the vocals start, stop, the strings play and then the vocals resume. To me it was as planned as when Bach leaves out a voice in a chorale giving another a chance to shine. That was my reality. My partner differed and said simply, ‘It’s a mistake and they left it so.” It was ridiculous to me and during dinner at The Fab Faux show last week at the State Theatre in New Brunswick, I stated my case and started the conversation with Rennie, Joe, Carl, Bob and whoever else was crammed in the small production office waiting for a chance to grab dinner from the buffet table. Everybody listened again to the song and then friendly fire began about mistake or miss take. Jimmy V wandered by and when I mentioned it’s like a Bach fugue, he commented “I don’t know about fugue but they certainly did feud”. There was a momentary smile and then someone mentioned ask Frank. Frank Agnello is a compendium of knowledge and he can instantly draw upon it, not only regarding music but culture and art. I went off to find him having dinner with Will Lee and interrupted their conversation like a kid at the grown ups table. Frank immediately said it was a mistake and Will asked for clarification having not heard my question. I mentioned the line and he simply said, “It was a mistake, that’s what John Phillips told me.” Enough said. My reality came crashing down in a huge smile. It hadn’t occurred to me that this amazing guy actually worked with John and can clarify in a split second ending any speculation or my rhetoric of nonsense. It was an awesome moment for me to remember there is no mistake in how I feel about the opportunity to work with these guys. It’s Fab. And that’s reality.

Friday, July 29, 2011

On the Eve of a Starship and a dark Moon, it's no Little Feat


Tomorrow will be the 4th summer concert of my favorite job EVER. Each year Dakotah Blue Music handles the entertainment for a private beach party that takes place rain or shine. Hosted by the nicest couple in their magnificent waterfront back yard, it’s all BBQ and beach fun for a hundred of their closest friends. In the past the guests have been surprised with Southside Johnny, Felix Cavaliere’s Rascals, America, Don Felder of the Eagles, Mark Farner of Grand Funk Railroad and Dave Mason. Sometimes the road cases are borrowed from other bands and that leads to speculation however it’s a closely guarded secret until the band takes the stage.

Tonight I’m recuperating from an asthma episode so with inhaler in hand I will be leaving tomorrow at 9 to idle in Parkway traffic. I’ve washed stage towels, packed up my bag of tricks and picked out something to wear, kind of. That said something came to light this afternoon about one of the bands having a guest and I can’t help but believe life is just a serendipitous karmic spiral. Once upon a time when I was 16, I started working at a hotel in a nearby town. I worked 4 nights a week first as a hostess then graduating as soon as I was legal at 18 to a cocktail waitress. I meet many musicians throughout the 70’s because it was the closest hotel to the The Capital Theatre in Passaic. I served dinner to Van Morrison, meet Dickie Bettes who sat in with the house band one night, The Dead arrived and took over a floor in the hotel for several days, and yes I was the only one who worked at the hotel to be invited up by BOBBY. That’s another story. Poco was the band I loved and attended every show but never saw them though they stayed as well. I did become friendly with one of the Roadies, Paul Schoenburg. We shared the same birthday and went to the city to celebrate one winter afternoon by bus. By the time we got back the band had left and the crew was frantic waiting for him so they could leave. Life before cell phones allowed for that type of spaciousness that allowed you to have an experience and friends, not knowing your whereabouts, actually waited for you while you had dinner and polished off some fine French wine. I digress.

Last year I met a guest at the party and as we spoke he mentioned a Clifton connection. After the event and pictures were posted on facebook I noted the hostess Maiden name was the same as the family who owned the hotel chain I worked for.

This afternoon my partner texted me that one of the bands wanted to bring their manager as their guest. Way back in the 70’s he had been a promoter and his business had a direct effect on shaping my early years and on my best experiences at the hotel. I believe even today in the work that I do, my background in hospitality has made this a natural fit for me as did the frequent exposure to talent.

In this twisted turn of events where as luck would have it, I have walked a tiny bit along a path he blazed, I am thrilled now at the chance to meet the man, though he’ll be walking the backyard with little feat. Tomorrow I’ll be looking for the starship to rise towards the dark moon in Leo, a sign of creative self expression and entertainment. For me it’s been a long walk from Passaic and the all too small lobby painted black at The Capital Theatre but as above, so below. You can find me in Monmouth Beach, wrapped in a dark moon blanket of expansive serendipitous starlight.

Can you hear my smile?

Tuesday, April 26, 2011

POWDER & PAINT

She was a delicate woman with a powerful voice.

On a sunny afternoon in San Francisco, her performance at Hardly Strictly Bluegrass attracted the other musicians who I watched leave the green room or walk from other parts of the park to hear Hazel sing. I met Jorma and Jack walking on their way from their tour bus to hear Hazel. I watched Steve Earle, Emmy Lou Harris and Alison Brown sit stage right as she performed. All were in awe of Hazel and it was my friend Assunta who knew her and cued me into what all the musicians knew. Hazel was the Real Deal. Assunta began to cry as Hazel sang Black Lung, a song written for her brother. The crowd was hushed as she performed, held captive by her songs and in respect of this woman who was a national treasure.

The evening after she performed, many of the musicians were meeting at one of the hotels for drinks. I was standing on the sidewalk with Assunta and Molly O’Brien when a cab pulled up and the petite Hazel Dickens stepped out. I was introduced to her and during the course of ‘small talk’ one of the women commented on how pretty she looked. Hazel quipped, “Powder and paint, makes you look like what you ain’t”. It was so illuminating for me, the juxtaposition of this prolific woman who paved the way for the likes of Alison Krause and Emmy Lou Harris sharing her bit of women’s wisdom with a smile that was part inside joke yet something we all knew to be true. It was a moment in time I will always smile about.

I am sorry to write that she lost her battle with pneumonia and died last week. Thank you Hazel for crossing my path and bless you wherever you are among the stars.

Sunday, April 17, 2011

Ramble On


A couple of hours ago I was making two pies, a zucchini and lemon meringue. Right from the beginning the lemon meringue was instilling fear in me. At times the meringue turns out ‘Greek Diner Happy’, an impressive and beautiful thing as only witnessed in a diner showcase but other times it is temperamental and can lose it’s height quicker than Jersey girl hair without hairspray. The zucchini is always reliable and really good. It’s considered a mob hit in my family, especially when it includes thin slices of pepperoni, which it does today. So now these two distinctly different pies, one a side dish and one a dessert, are on my counter being evaluated to see if I should bring them both to Levon’s Ramble tonight. I’m worried about the lemon meringue making the trip to Woodstock and arriving with the integrity of the meringue intact especially since it’s raining out. It’s intimidating to cook for a group that probably has its share of excellent vegetarian potluck food cooked and given with love in honor of The Ramble. Mine are made from scratch however outside of cooking for my own family I don’t have any real cooking expertise so the idea of placing my pies on Levon’s table heightens my sense of insecurity. Or at least it was, until I was informed this afternoon that I’d be stopping by John Sebastian’s house first. ……. There’s been a seismic twist in my perspective and I now have a sheer and luminous sense of just plain old inner happy. I’m smiling randomly around my kitchen and thinking the pies will probably be all right and that maybe I really can share every homemade Lovin’ Spoonful.

Friday, December 31, 2010

DRIVE MY CAR

The moment I became aware that Los Lobos would be ringing in the New Year at City Winery I wanted to go. It’s been almost three years since Dakotah Blue presented the band at WPU and I had a craving to hear one of my most favorite bands live. Traditionally I spend New Years Eve with friends and when I mentioned going to the city to see the show no one was able to commit. In early December the Fab Faux decided to play 4 dates in the week between Christmas and New Years. Tickets went on sale December 12th and the sold out shows in City Winery’s intimate setting were amazing. It was a bit of a shuffle for Jack who was also playing at the Bowery Ballroom, in Patti Smith’s band. The close proximity of the venues and the earlier timing of the Faux gigs made it possible for me to pick him up after sound check at the Ballroom getting him to the Faux gig in time despite the mountains of snow throughout SOHO (or should I say SnowHo?) After the Faux encore, car service was running him back to the Ballroom. I was the back up plan in case the car service didn’t show up so by 8:40 we were checking out side for the car. The service did arrive and the first night after speaking to the driver, Rennie went inside as they were finishing the encore to be there to escort Jack out to the car. I remained outside by myself thinking how beautiful the night was. I was alone on the street just outside City Winery’s huge oak doors listening to the music spill onto the street. I noticed someone negotiating the snow bank and the melted snow pond forming on the corner and I looked over to see David Hidalgo of Los Lobos walking right toward me. Two women were accompanying him. I quickly said hello and re introduced myself letting him know that I work with the Fab Faux now. It turns out David, his wife and their friend were coming to hear the Faux so I brought them in. The show had just ended but they joined everyone in the dressing room. I was elated to have met up with them and I overheard Jimmy asking if they’d be able to come back the next night. It was all left up in the air when they left however the air in Manhattan is apparently filled with magic. The next night just before the show started, with the room filling with people, I saw them back, this time with Conrad and his wife and grandchild. We got them seats and I took off to look for Denny Laine who was arriving late after his own car issues. Needless to say David played during the encore, along with Denny who was a scheduled guest. My very first story here, written last December was of the surprise chance to work with Los Lobos and now I close out the year with another tale of wonder, or is it all just Serendipity? Either way it’s brought me so much happiness.

Saturday, November 20, 2010

The Scripture According to Patti Smith

For a couple of days after the Lennon Tribute, I tried to write something that would convey how Patti Smith’s performance blew me away. I was boring myself to tears and frequently using the delete key, with one syrupy recollection and rendition of the rehearsal and show after another. The show had awesome musical highlights that can be read about in various reviews however it wasn’t until Patti hit the stage that the show took a turn from music, entertainment and respect for John to SPIRIT. In an email addressing last minute performance concerns it had been suggested to the artists not to speak for more than 30 seconds because of the tight schedule. Outside of Claudia Marshall’s performer introductions I am unaware that anyone did speak, until Patti. She walked out onstage with a book of Kerouac and recited from The Scripture of the Golden Eternity. She then spoke about her own loss of her husband and how she looked to Yoko in finding meaning in her life, for herself and her children. She created magick with Strawberry Fields Forever and with Oh Yoko, welcoming Tony Shanahan to weave his voice with hers. Lucky for us that she’s not good at following directions or she doesn’t check emails or maybe that she just did what she wanted because every word she spoke conveyed a sharing of the spirit of Lennon’s life and music. She was awesome, lighting up the room with her presence that lifted the show to another place. I had never seen her perform before and her power was inspiring and true. It reflected a woman who is filled with quantum awakening in our universe. I believe somewhere out there is a constellation named after her……. Anyway, you may not find these thoughts in any of the reviews of the show, in which case, people need to open their eyes. People have the Power J

Thank you Patti Smith for sharing your light and I will hold dear the memory of sharing some Green and Black’s organic chocolate candy with you at rehearsal the day before, unaware how little my gesture was and much you would give to me the following night.

In honor of Patti, I’m posting a song that is a collaboration of another awe-inspiring quantum awakener in our universe, (got that? One Verse), John Trudells work with Annie Humphrey, ~Spirit Horses ~ and then I’m going out to buy my own book of Kerouac.

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